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(Durations are in parenthesis)
I-II: Easy
III-IV: Intermediate
V-VI: Advanced

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Online catalog of concert music: solos, duos, chamber music and more!

 

Tuba Music

(Click on an instrumentation link, works are listed in alphabetical order within each category.)

Solo Tuba, unaccompanied
Tuba & one other instrument
(various combinations, including works with piano, and with electronic recording)
Tuba and percussion ensemble
Tuba-Euphonium Ensemble
Tuba and Band
Tuba in chamber music (includes brass trios, quartets, quintets, and brass choir)

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Solo Tuba, unaccompanied

A DAY IN THE CITY “7 Vignettes” (1986) for solo tuba (or bass trombone) by Howard J. Buss. These colorful musical scenes from the city are excellent study and recital pieces. Each vignette depicts an experience the composer had one day during a visit to New York City. The movements are Another Sunrise, Off to a Busy Day, The Lost Key Episode, The Waitin' in Line Blues, Romantic Interlude, Sudden Storm and Out on the Town. "Tonal, charming and imaginative! The low purchase price and the incisive approach of a skilled composer make this a piece worth seeking out.”- PMEA News (10’) Grade IV.
Sound Samples: Movement 2, Off to a Busy Day.mp3; Movement 3: The Lost Key Episode.mp3

or to order offline A DAY IN THE CITY solo tuba (or bass trombone), B305 $6.95 

OUTINGS (2013) for solo tuba or bass trombone by Roger C. Vogel was written for the British bass trombonist Jonathan Warburton, who premiered the work on March 1, 2013 at St. Martin's in the Bullring in Birmingham, England. This accessible work is in two short, contrasting movements: Stroll, and Jaunt. (4’) Grade IV. B937 $6.95

or to order offline OUTINGS solo bass trombone or tuba, B937 $6.95

Tuba and one other instrument or recording

Alien Loop de Loops coverALIEN LOOP DE LOOPS for tuba (or euphonium) and electronic recording by Howard J. Buss is a playful and capricious fantasy piece designed to appeal to a wide range of audiences. The title refers to both programmatic and technical elements in the composition. The composer envisioned a performer outside in an open area during an air show by an alien craft. During the opening section he/she plays unaccompanied, but then is joined by the recording, which contains sounds generated by traditional instruments as well as an "alien" voice, the spacecraft, and various electronic effects. Technically, the title refers to how the recording was made. It consists of numerous sound loops combined to form an imaginative and picturesque sonic tapestry. Ossia suggestions are included for some of the more technical passages. The general tessitura of the work also allows it to be performed on a tuba. Brixton also publishes this work in a version for trombone or bass trombone, which was winner of the 2015 American Trombone Workshop National Composition Competition sponsored by the U. S. Army Band “Pershing’s Own.” The publication includes sheet music and a CD (attached to the inside of the back cover) that contains 2 performance tracks for reference, one for euphonium and one for tuba, and the accompaniment track. (6’47”) Grade V. B446E $20.00 Sound samples (on euphonium): Excerpt 1.mp3, Excerpt 2.mp3, Excerpt 3.mp3, Excerpt 4.mp3
Sound samples (on tuba): Excerpt 1.mp3, Excerpt 2.mp3, Excerpt 3.mp3, Excerpt 4.mp3

or to order offline ALIEN LOOP DE LOOPS, tuba (or euphonium) & electronic recording, B446E $20.00
 
BALLAD (2004) for tuba (or bass trombone) & piano by Howard J. Buss is a beautiful piece that radiates a sensuous lyricism and a nostalgic mood. It received its world premier on May 9, 2004 at the Chetham School of Music in Manchester, England by Jonathan Warburton, bass trombone and Gilbert Cowlishaw, piano. Ballad was commissioned by Mr. Warburton. The structure of the work is A-B-A-Coda, the A section is melodious, flowing, and expressive. The B section is more animated and has a playful nature. This is a “must” for your next recital or competition. (6 ’10”) Grade IV-V.
Sound Samples: Excerpt 1 (the opening).mp3; Excerpt 2.mp3; Excerpt 3 (the ending).mp3
score sample .pdf file   View on YouTube
or to order offline BALLAD,  tuba (or bass trombone) & piano, B388 $12.00  

FOR THE FUNK OF IT (1985) for tuba & piano by Zack Browning offers hard-driving funk and off-beat reggae passages which are then contrasted with lyrical lines derived from a twelve-tone set. This unusual combination of styles creates an energetic and volatile setting for the performers, who must switch from one style to another within the course of the composition. The result is an entertaining and memorable work which is fun to perform. For the Funk of It  was written for and premiered by Fritz Kaenzig. (5 ’) Grade V. 
Sound Sample: Excerpt.mp3
or to order offline FOR THE FUNK OF IT for tuba & piano, B202 $12.00

FOUR MINIATURES for trombone & tuba (or bass trombone) by Howard J. Buss is a vibrant sonatina in 4 movements: Aggressive, Contemplative, Buoyant, and Energetic. The playful, yet sophisticated character of the music makes this an entertaining, audience-friendly work. (9’20”)
Grade V. 
or to order offline FOUR MINIATURES, trombone & tuba (or bass trombone), B425A $16.00

 
ILLUMINATIONS(2001) for tuba (or bass trombone) & piano by Howard J. Buss was commissioned for Charles Vernon, bass trombonist with the Chicago Symphony, and the 30th Anniversary of the International Trombone Festival. It is in 2 movements: Reverie and Urban Lights. The first movement is lyrical and contemplative in nature, the second is a frolicking rondo which is hugely influenced by jazz and, in one section, funk music. This is a “must” for your next recital! (19’) Grade V.  (This work is also available in a version for tuba & band (see below.)
Illuminations for tuba and piano Sound Samples:
Movement 1 Sample A.mp3; Movement 1 Sample B.mp3
Movement 2 Sample A.mp3; Movement 2 Sample B.mp3

or to order offline ILLUMINATIONS, tuba (or bass trombone) & piano, B369 $20.00 


Interstellar cover INTERSTELLAR for horn, tuba and electronic recording by Howard J. Buss, in 3 movements, Reaching Beyond, Lonely and Turbulence, is part of a series of works by the composer inspired by space travel and exploration. The recording (CD included with the sheet music) contains the sounds of traditional instruments, electronic effects, and actual sounds from space indexed on the NASA website. (10’10”)  Grade IV-V. B458 $32.00 Sound samples: Excerpt 1, Movement 1.mp3; Excerpt 2, Movement 1.mp3; Excerpt 1, Movement 2.mp3; Excerpt 2, Movement 2.mp3;
Excerpt 1, Movement 3.mp3; Excerpt 2, Movement 3.mp3
( Click tracks for performance, if desired: Mvt 1.mp3, Mvt 2.mp3, Mvt 3.mp3 )

or to order offline INTERSTELLAR, horn, tuba & electronic recording, B458 $32.00
 
STEPPING OUT (2013) for euphonium (or trombone) & tuba (or bass trombone) by Roger C. Vogel was premiered by Philippa Done, trombone, and Jonathan Warburton, bass trombone on March 1, 2013 at St. Martin's in the Bullring in Birmingham, England. This concert work is cast in 5 movements: Promenade, Organum, Song, Leapfrog, and Dance. The movements range in duration from 2’30” to 2’50” and may be played individually, or in any grouping.    (13’) Grade V.  B936  $16.50 

or to order offline STEPPING OUT,  trombone (or euphonium) and tuba (or bass trombone) B936  $16.50 


THREE JAZZICALS (2009) by Howard J. Buss is dedicated to tubist Jay Hunsberger. This colorful work is in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time.  (12’)  Grade V.   
Three Jazzicals
(clarinet & tuba) sound samples: Excerpt, Movement 1.mp3; Excerpt, Movement 2.mp3;
Excerpt, Movement 3
.mp3
Three Jazzicals
(soprano sax & tuba) sound samples: Excerpt, Movement 1.mp3; Excerpt, Movement 2.mp3;
Excerpt, Movement 3
.mp3
Three Jazzicals (trumpet & tuba) sound samples: Excerpt, Movement 1.mp3; Excerpt, Movement 2.mp3;
Excerpt, Movement 3.mp3

or to order offline THREE JAZZICALS -version for Bb trumpet & tuba, B418 $20.00  
or to order offline THREE JAZZICALS -version for Bb clarinet & tuba,  B418C $20.00 
or to order offline THREE JAZZICALS -version for Bb soprano sax & tuba, B418S $20.00

TIME CAPSULE (2002) for tenor trombone (or euphonium) & tuba by Howard J. Buss is a sonatina in 4 movements: Daybreak has a frolicking and optimistic character. Chorale breaks with the traditional structure of the chorale in that each phrase gets a measure longer. The harmonies of the second movement contain some spicy dissonances as well. Rendezvous, is in a lilting 6/8 and "works up a lather" as it progresses to an exciting climax. The final movement, Homeward Bound, begins with a fanfare-like passage that gives way to a spirited dance characterized by an intriguing interplay between the two instruments. (7’) Grade IV-V. 
or to order offline TIME CAPSULE, tenor trombone (euphonium) & tuba,  B350B  $8.95

ZOOM (2011) for tuba (or bass trombone) & harp by Howard J. Buss was commissioned by Brandt Attema and Astrid Haring and written during the winter of 2010-11. The composition was inspired by the spectacular images as seen through a satellite camera as the composer zoomed in on the coastline of The Netherlands. The strong narrative quality of the music couples with Buss’ unique style of soaring lyricism with crisp, energetic rhythms and colorful harmonies, makes this work accessible to a wide array of different types of audiences. (10'30") Grade VI.
Zoom sound samples: Excerpt 1.mp3; Excerpt 2.mp3; Excerpt 3.mp3; Excerpt 4 (the ending),mp3
View at ZOOM: YouTube Video
or to order offline ZOOM for tuba (or bass trombone) & harp, B426 $22.00  

Tuba and percussion ensemble

AMERICAN PHOENIX (2001) for solo tuba (or bass trombone) and 4 percussion by Howard J. Buss was written for Stefan Sanders, bass trombonist with the Buffalo Philharmonic and the 30th Anniversary of the International Trombone Association. It was composed immediately following the important world events of September 11, 2001. It was premiered by Mr. Sanders and members of the University of North Texas Percussion Ensemble at the 2002 International Trombone Festival. This work is in 3 movements: In Remembrance 9/11/01, Repercussions, and Renewal. Percussion Distribution - Percussion 1: Xylophone, tubular bells (chimes), suspended cymbal, snare drum, police whistle, and Chinese bell tree; Percussion 2: Vibes, 2 suspended cymbals, 4 tom toms, bongos, and wood block; Percussion 3: Marimba, tam-tam, lion roar, ratchet, slapstick, wind chimes, and suspended cymbal; Percussion 4: Marimba (to low A), timpani (4), tambourine, 2 cowbells, and suspended cymbal."Buss’ melodies vary. They are mystic, poignant, heroic, often modal, and at times reminiscent of folk songs. He writes for the percussion ensemble with mastery and features a wide range of instruments. The sound landscape is rich with many moods and timbres. American Phoenix is an attractive addition to a solo program or as a feature piece for a percussion recital. It is rewarding for both performer and audience.” - The ITA Journal, January 2005  (15’) Grade V. 
Score Samples: Score sample: Mvt. 1 “In Remembrance” 9/11/01.pdf;
Score sample: Mvt. 2 “Repercussions”.pdf; Score sample: Mvt. 3 “Renewal”.pdf
Sound Samples:
Movement 1 (In Remembrance 9/11/01), Excerpt A.mp3;
Movement 1 (In Remembrance 9/11/01), Excerpt B.mp3;
Movement 2 (Repercussions), Excerpt A.mp3;
Movement 2 (Repercussions), Excerpt B (the ending).mp3;
Movement 3 (Renewal), Excerpt A.mp3;
Movement 3 (Renewal), Excerpt B (the ending).mp3
or to order offline AMERICAN PHOENIX solo tuba (or bass trombone) & 4 perc., B375 $48.50 


Tuba-Euphonium Ensemble:

Prayer_tubaPRAYER for 12-part tuba-euphonium ensemble by Howard J. Buss is a beautiful, meditative work designed to be performed in a concert venue or as a musical offering in a house of worship. Its reverent quality is enhanced by the rich sonority and organ-like quality of the large low brass ensemble. The musical language is sophisticated, yet accessible to general audiences. It begins with a lyrical 12-tone melody that is symbolic of the Twelve Tribes of Israel. The dodecaphonic reference also relates to the instrumentation: In the concluding section, the 12 pitches of the opening melody are presented with each player assigned to one pitch. A reverent atmosphere permeates the musical tapestry throughout. Prayer is accessible to amateur and high school-level players. (5’10”) Grade III-IV. B448TE $24.00 Sound sample: Excerpt.mp3

or to order offline Prayer for 12-part tuba-euphonium ensemble, B448TE $24.00

Tuba and Band (This work is also available in a version for tuba and piano (see above).

ILLUMINATIONS for tuba (or bass trombone) and band by Howard J. Buss, originally for bass trombone (or tuba) and piano, was composed for Charles Vernon, bass trombonist with the Chicago Symphony Orchestra, and the 30th Anniversary of the International Trombone Festival. This significant addition to the repertoire is written in an accessible modern style. The musical language is sophisticated, yet appealing to general audiences.  Illuminations is cast in 2 contrasting movements: The first, Reverie, is contemplative and lyrical. Beautiful, expansive melodic lines are woven into a gentle, almost mystical, musical fabric. The second movement, Urban Lights, is an energetic rondo that is strongly influenced by jazz, and in one section, funk music. “Thoughtful, tuneful, and rewarding to perform.” – ITA Journal   (19’)    Grade V-VI.
Complete Set (score & parts): B369BCS $98.00  - Score only: B369BS  $28.50  - Parts only: B369BP $69.50
Sound samples:
Movement 1 - Excerpt 1.mp3; Excerpt 2.mp3; Excerpt 3.mp3
Movement 2 - Excerpt 1.mp3; Excerpt 2.mp3; Excerpt 3.mp3; Excerpt 4.mp3

or to order offline Illuminations, Tuba & Band, Complete Set (score & parts): B369BCS $98.00
or to order offline Illuminations, Tuba & Band, score only: B369BCS $28.50 
or to order offline Illuminations, Tuba & Band, parts only: B369BP $69.50


Tuba in chamber music (includes brass trios, quartets, quintets and brass choir)

BROM BONES for 10-part brass choir by Howard J. Buss musically depicts the character and exploits of Washington Irving’s dashing prankster in The Legend of Sleepy Hollow. The musical ensemble consists of 4 Bb trumpets (an optional Eb part is included for  trumpet 1), one French horn, 3 tenor trombones, one bass trombone, and tuba. This entertaining composition is in five movements, the first two are interconnected:
            I. Overture   (2:00)
           II. The Smoke Out    (2.40)
           III. The Schoolhouse Caper  (2:00)
                                  IV. Ichabod’s Romance    (3:40)
                                   V. Night Encounter   (3:10)         
Following the energetic and heroic Overture, in The Smoke Out tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, The Schoolhouse Caper, combines very aggressive and topsy-turvy passages with humorous, plodding interjections. Ichabod’s Romance begins as a beautiful unaccompanied ballad which is abruptly disturbed by a cacophony of muted brass, suggesting the whining of Brom’s mocking dog. Beautiful hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful  solo. The intense finale, Night Encounter, depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise. (14’30”) Grade V-VI. B405BC $58.50
Sound samples: Excerpt 1 (the opening).mp3; Excerpt 2.mp3; Excerpt 3.mp3; Excerpt 4.mp3

or to order offline BROM BONES, 10-part brass choir, B405BC $58.50

  
CASCADES for brass quintet (2-1-1-1) by Roger  C. Vogel. Musical “cascades” rush forth from one another throughout in this exciting work. Cascades is in 3 main sections. A fast energetic opening eventually gives way to a slower section before the opening mood returns in increasing intensity to the rousing conclusion.  This accessible composition makes an outstanding contest piece, feature number, or because of its character, a dashing encore. (4’) Grade IV-V.  
Sound Sample: Excerpt.mp3
or to order offline CASCADES brass quintet (2-1-1-1,) B928 $16.50

CHROMATIC FANTASY (1997) for brass quintet (2-1-1-1) by Howard J. Buss was composed for the United States Air Force Brass Quintet. This exciting and engaging “tour de force” is a riveting excursion through driving ostinati and sparkling chromatic flourishes. Chromatic Fantasy was premiered by the U.S.A.F. Brass Quintet at the Eastern Trombone Workshop hosted by the U.S. Army Band in Ft. Meyer, Virginia. (8’) Grade V.
Sound Samples: Excerpt 1 (the opening).mp3; Excerpt 2.mp3
or to order offline CHROMATIC FANTASY for brass quintet (2-1-1-1), B356 $18.50 

CONCORD (1990) for brass quintet (2-1-1-1) by Howard J. Buss teems with the vitality of youth. Lyrical passages are juxtaposed with fanfare-like sections to create a dramatic and festive atmosphere. Written for the opening of a performing arts high school in Florida, this exciting composition was winner of the 1991 “Erik Satie Award” of New York City. This makes a great contest piece or rousing feature number.(6’)  Grade V.  
Sound Samples: Sample 1.mp3; Sample 2.mp3; Sample 3.mp3
or to order offline CONCORD for brass quintet (2-1-1-1), B313 $18.50

EMANATIONS 2 euphoniums and drum setEMANATIONS for two euphoniums (or euphonium & tuba) and drum set by Howard J. Buss is in 3 movements: Variegated Anticipation, Serenity, and Faceted Radiance. It is dedicated to Patrick Nyren and was premiered by him and Chris Kaltenbach on euphonium, and Michael Serbantez on percussion on March 23, 2016 at New Mexico State Univ. in Las Cruces. The second euphonium part is easily played on a tuba. The percussionist uses a standard drum set. (17’) Grade V. B454E $36.00
Sound Samples: Excerpt, Movement 1.mp3; Excerpt, Movement 2.mp3; Excerpt, Movement 3.mp3
or to order offline EMANATIONS for 2 euphoniums (or euph. & tuba) and drum set, B454E  $36.00 


Interstellar cover INTERSTELLAR for horn, tuba and electronic recording by Howard J. Buss, in 3 movements, Reaching Beyond, Lonely and Turbulence, is part of a series of works by the composer inspired by space travel and exploration. The recording (CD included with the sheet music) contains the sounds of traditional instruments, electronic effects, and actual sounds from space indexed on the NASA website. (10’10”)  Grade IV-V. B458 $32.00 Sound Samples: Excerpt 1, Movement 1.mp3;
Excerpt 2, Movement 1.mp3; Excerpt 1, Movement 2.mp3; Excerpt 2, Movement 2.mp3;
Excerpt 1, Movement 3.mp3; Excerpt 2, Movement 3.mp3
( Click tracks for performance, if desired: Mvt 1.mp3, Mvt 2.mp3, Mvt 3.mp3 )

or to order offline INTERSTELLAR, horn, tuba & electronic recording, B458 $32.00
 


JAZZICAL #4 (2012) for horn, trombone, tuba & piano by Howard J. Buss . The composer states,  “It was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of this work is the resultant this procedure. Because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, the music will sound jazzy (in varying degrees) to most, and mostly classical to others. (12’45”) Grade V.
Sound Samples: Excerpt_1.mp3; Excerpt_2.mp3; Excerpt_3.mp3; Excerpt_4.mp3
or to order offline JAZZICAL #4 for horn, trombone, tuba & piano, B432 $36.00 

Jazzical #5 coverJAZZICAL #5 for euphonium, tuba, and piano by Howard J. Buss, was written for Gail Robertson and Stacy Baker for ITEC 2016. This engaging work juxtaposes technical and spiritual elements of jazz and classical music. (7’30”)  Grade V. B459 $24.00
Sound Samples: Excerpt_1.mp3, Excerpt_2.mp3, Excerpt_3.mp3

or to order offline JAZZICAL #5 for euphonium, tuba & piano, B459  $24.00
 


SONATA K. 380 by Scarlatti, Domenico for brass quintet (2-1-1-1), transcribed by Howard J. Buss. This delightful work was originally composed for keyboard by Domenico Scarlatti around the year 1754 and was entitled Sonata in E Major K. 380 (Longo 23). This transcription for brass quintet preserves the essential traits of the composer’s unique style, including his compositional use of register with florid treble parts and a strictly functional, supportive bass. (6’30”) Grade IV.

or to order offline SONATA K. 380 for brass quintet, B1002 $8.95 


SONIC FABLES: “Lessons from Aesop” (1991) for brass quintet (2-1-1-1) & one percussion by Howard J. Buss. Entertaining musical representations of 6 of Aesop’s famous fables are presented between a Prelude and Postlude. The text of the fables is printed on a preliminary page to the score and may be used as written program notes. Each fable may also by recited by a member of the ensemble or a narrator prior to performing the accompanying movement. Because of the programmatic subject matter and the colorful spirit of the music, Sonic Fables works well with all types of audiences, including those of children. It is frequently used as a feature number by professional ensembles on school programs. Percussion: 2 suspended cymbals, temple blocks, snare drum, tomtom, triangle, tambourine, wind chimes, xylophone, and tam-tam. The total duration is about 17 minutes; however, the 8 movements may be performed in smaller groupings. (18’) Grade V-VI.  
Sound Samples: Prelude (excerpt with the beginning of narrator's lead-in to the first fable).mp3
The Hawk and the Nightingale (excerpt).mp3; The Middle-Aged Man and His Two Mistresses (excerpt).mp3;
The Cat and the Rooster (excerpt).mp3;
The PipingFisherman (excerpt, with the beginning of narrator's lead-in to the next movement).mp3;
The Fox and the Leopard (excerpt).mp3; The Lion and the Bear (excerpt).mp3; Postlude (excerpt).mp3
or to order offline SONIC FABLES: “Lessons from Aesop” for brass quintet & one percussion, B339 $36.00 

TRIGON (1989) for trumpet, trombone & tuba by Howard J. Buss. This riveting, energetic piece is characterized by lyrical passages juxtaposed with aggressive, angular sections. All 3 players are given substantial solo lines in this exciting tour de force. (10’)  Grade V. 
or to order offline TRIGON (1989) for trumpet, trombone & tuba, B341 $18.50 
 
  
WARP! (1994) for brass quintet (2-1-1-1) by Robert J. Frank. The title was inspired by the term from Star Trek where warp engines would bend time and space to propel the ship at incredible speeds. Exploring relationships between time and space in a musical sense, this work begins with motives and fragments free-floating in space. These gradually build in energy and motion until coming into phase with one another. After this cadence, a motor section expands and develops the previous free-floating motives over driving, repeated patterns. As the speed increases, these motives fade in and out of phase with each other until the motives come back into phase at "warp speed" in the exciting conclusion.Warp! is a fun and exciting concert feature!  
Sound Sample: Excerpt.mp3
or to order offline WARP! for brass quintet (2-1-1-1), B716 $16.50


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Tuba sheet music, graded online catalog. Rated: 5/5 based on customer reviews, All Music in Stock.

Product description: Tuba Concert Music: Solos, Duos, Chamber Music, Brass Quintets, Brass Choir, Tuba and Percussion Ensemble, Tuba and Piano, Tuba and Harp, Euphonium Tuba duets.